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UNIVERSITY OF RICHMOND — For the first time since early spring 2020, University of Richmond Museums is presenting three new exhibitions, all of which are open to the public. Museums reopened to the community in March 2022.
“We’re delighted to welcome the campus and the greater Richmond communities back to our spaces, with a slate of exhibitions and programs that showcase student scholarship and creativity and artistic innovators of our time,” said Elizabeth Schlatter, interim executive director. “We will also welcome numerous faculty and students to our exhibitions this semester as part of their course work in our continuing efforts to advance the educational mission of the University.”
The three new exhibitions, which open to the public next week include:
University of Richmond Museums are free and open to the public, no appointment necessary. Hours of operation are Tuesday, Wednesday, Friday, and Saturday from 11 a.m.-3 p.m. and Thursday from 1-7 p.m. For more information about directions, exhibitions, and programs, visits museums.richmond.edu.
Exhibition details include:
Duane Michals: The Portraitist (pictured above) is on view in the Harnett Museum of Art, located in the Modlin Center for the Arts, Aug. 24 through Nov. 18.
The exhibition presents the first comprehensive overview of inventive photographic portraits by one of the medium’s most influential artists. Best known as a pioneer who broke away from established traditions of documentary photography in the 1960s, Michals is widely recognized for his ability to navigate between imposing his style and allowing his sitters to express themselves, and for the sequences he assembles to convey personal visual narratives, often adding handwritten messages and poems on the photographic print surface.
More than 125 portraits are included in the exhibition, many of which were recently discovered in a workroom in his brownstone building in New York City. Frequently commissioned to create portraits of actors, writers, musicians, and others, among the wide-ranging selection for the exhibition are images of artist Andy Warhol with his mother Julia Warhola, musicians Benny Goodman and Branford Marsalis, the original cast of “Saturday Night Live”, and actors Meryl Streep and Tilda Swinton.
Therefore I Am: Portraits from the Joel and Lila Harnett Print Study Center is on view in the Modlin Center for the Arts Atrium and Booker Hall Aug. 24 through July 7, 2023.
The exhibition presents a selection of portraits spanning six centuries and examines the various roles that portraiture has played in portraying the identity of the sitter. Historically, portraiture has been used by society’s elite to communicate messages of power, prosperity, and beauty. With recent advances in technology such as digital cameras and smartphones, portraiture has become omnipresent in society today. The exhibition encourages the viewer to think about how we consume and interact with portraiture in our everyday lives, whether it be scrolling through group photos on social media or taking a selfie.
Highlighted artworks include Reigning Queens (Queen Beatrix) by Andy Warhol, a portrait of Queen Beatrix of the Netherlands that belongs to a screen print series featuring four ruling queens of the 1980s. Reigning Queens, with its bold color blocks and larger than life composition, exemplifies the allure of the celebrity portrait in a Pop Art style.
The Annual Student Exhibition will be on view Aug. 24 through Sept. 22 in the Harnett Museum of Art. Selected by the visual arts faculty, the exhibition features work by visual media and arts students during the University’s 2021-22 academic year. About 30 artworks are in the exhibition, which range from mixed media and video to sculpture and printmaking.
Exhibits that remain on view include:
Gee’s Bend Prints: From Quilts to Prints is on view through July 7, 2023 in the Modlin Center Booth Lobby.
The prints in this exhibition are inspired by the quilts of Gee’s Bend, Alabama. African American women of this remote community have created hundreds of quilts for more than a century. The quilts have been recognized as “some of the most miraculous works of modern art America has produced,” as noted by Michael Kimmelman, The New York Times art critic.
Several of the younger generations of quilters have made etchings based on small-scaled maquette quilts. Collaborating with master printers at Paulson Fontaine Press in Berkeley, California, the artists used innovative techniques to transfer the quilt design to an etching that highlights the strong patterns, textures, and compositions of traditional Gee’s Bend quilts. The artists featured in the exhibition include Louisiana Bendolph, Loretta Pettway, Mary Lee Bendolph, and Essie Bendolph Pettway.
Cabinet of Curiosity Reimagined: Museum Studies Seminar is on view through May 5, 2023, in the Department of Art & Art History.
Cabinets of curiosity, or “wunderkammer,” were the primary mode of displaying collections among European royals and aristocrats from the mid-16th through mid-18th centuries, showcasing natural specimens, cultural artifacts, and works of art. These cabinets fell out of fashion with the advent of scientific classification and museum development in the 18th and 19th centuries. In response to the resurgence of the cabinet display format in the modern museum world, this exhibition examines the purpose and power of museums –– their developing methods of collection and curation over time, often controversial acquisition of objects, and ability to inspire and influence audiences.
The cabinet features selected works of art and natural specimens from the collections of the Lora Robins Gallery, which is currently closed for construction and renovation in the Boatwright Memorial Library building.
Interim Executive Director
For more information or photos, please contact Heather Campbell, Curator of Museum Programs, 804-287-6324.
Duane Michals: The Portraitist was organized by Curatorial Assistance Traveling Exhibitions and curated by Linda Benedict-Jones, former photography curator at the Carnegie Museum of Art, and currently adjunct professor at Carnegie Mellon University. The exhibition and programs are made possible in part with funds from the University’s Cultural Affairs Committee and funds from the Louis S. Booth Arts Fund.
Therefore I Am: Portraits from the Joel and Lila Harnett Print Study Center was organized by the University of Richmond Museums, curated by Sophie McClellan, ’23, art history and leadership studies major, and 2022 Harnett Summer Research Fellow, University Museums, with direction from Richard Waller, senior curator, and N. Elizabeth Schlatter, interim executive director, University Museums.
The Annual Student Exhibition was organized by the University of Richmond Museums in collaboration with the Department of Art and Art History and coordinated by Richard Waller, Executive Director, University Museums.
Gee’s Bend Prints: From Quilts to Prints was organized by the University of Richmond Museums, curated by Richard Waller, senior curator, University Museums. The exhibition is made possible with funds from the Louis S. Booth Arts Fund.
Cabinet of Curiosity was curated by students enrolled in the spring 2022 Museum Studies Seminar course, taught by N. Elizabeth Schlatter, interim executive director, University Museums.
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